Ubi caritas op.10,1 fr gem Chor a cappella

Description

Chorpartitur 4 Motets sur des thèmes gregoriens

Duruflé grew up in Louviers in the northern French region of Haute-Normandie

, where as a boy he was a chorister and studied piano. At the

Lagerabfrage läuft…

kurzfristig lieferbar

Auf Lager:

Logistikzentrum

in 5-10 Tagen lieferbar

in 10-20 Tagen lieferbar

in 4-8 Wochen lieferbar

zur Zeit nicht lieferbar

Lieferzeit auf Anfrage

Herstellerinformationen

Sie finden den für das Produkt verantwortlichen Wirtschaftsakteur auch auf dem jeweiligen Produkt bzw. der Verpackung oder in einer dem Produkt beigefügten Unterlage.

Sicherheits- und Warnhinweise

Spezifische Sicherheitshinweise, die für das Produkt gelten, sind in der Bedienungsanleitung des Produkts zu finden.

vergleichen

Beschreibung Kundenmeinungen

Menü schließen

Details für „Ubi caritas op.10,1 für gem Chor a cappella“

Chorpartitur 4 Motets sur des thèmes gregoriens

Duruflé grew up in Louviers in the northern French region of Haute-Normandie

, where as a boy he was a chorister and studied piano. At the

age of 17 he moved to Paris to study organ with Charles Tournemire. A year

later Duruflé wasadmitted to the Paris Conservatoire, where he studied organ,

piano and composition, and was awarded five first prizes in various subjects.

Upon graduation Duruflé became musical assistant to Louis Vierne at Notre

Dame, but soon after this was appointed organist at Saint Étienne-du-Mont in

Paris, where he would remain for the rest of his life. In 1943 he was

appointed professor of harmony at the Conservatoire, a position he maintained

for 27 years. From 1926 until 1977 Duruflé published 14 compositions,

including the Requiem, Op. 9 . Duruflé traveled extensively as a

concert organist, and was active as a recording artist. Later in life he and

his second wife often performed as an organ duo. The composer suffered severe

injuriesin an automobile accident in 1975, which left him nearly bed-ridden

for the final decade of his in 1960, Quatre Motets sur des

thèmes grégoriens, Op. 10 were dedicated to

Auguste le Guennant, director of the Gregorian Institute in Paris. Each of

the four motets begins with an incipit of Gregorianchant, which serves as

melodic inspiration for the composition that follows. The four motets are : Ubi caritas, Tota pulchra es, Tu es Petrus, and Tantum ergo. Ubi

caritas is an early Christian antiphon traditionally used in the Maundy

Thursday service during the washing of the feet, an act of Jesus from the

Last Supper. The antiphon has become closely associated with the Eucharist,

and is sometimes alsoused at weddings. Duruflé sets only the first of the

four stanzas of the text.